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By the turn from the 20th century, amateur advisors and publications were increasingly challenging the monopoly that this large retail companies had on home design. English feminist author Mary Haweis wrote several widely read essays within the 1880s during which she derided the eagerness in which aspiring middle-class people furnished their houses based on the rigid models accessible to them from the retailers.[10] She advocated the average person adoption of your particular style, tailor-made to anyone needs and preferences from the customer:

"One of my strongest convictions, and one on the first canons of proper taste, is always that our houses, just like the fish’s shell plus the bird’s nest, need to represent our individual taste and habits.
The move toward decoration like a separate artistic profession, unrelated to your manufacturers and retailers, received an impetus while using 1899 formation on the Institute of British Decorators; with John Dibblee Crace becasue it is president, it represented almost 200 decorators across the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the very first women to teach professionally as interior designers in 1874. The importance of their work with design was regarded at that time as over a par achievable of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic home design to a wide middle-class audience.[12]

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